Are Nonwestern musicians any less talented or musically developed than Western composers?Is improvisation a positive factor or a negative factor in art music?Are Nonwestern musical instruments so dif

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Are Nonwestern silenceians any less cogent or silenceally open than Western

composers?Is improvisation a decisive content or a denying content in art silence?Are Nonwestern silenceal instruments so irrelative from Western instruments?How does Nonwestern silence dispute from Western silence? Are the political aspects any irrelative?

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