Berlioz’s Symphonie fantastique , Brahms’ Symphony No. 1 , and Shostakovich’s Symphony No. 5 . For each example what were their specific musical


Berlioz's Symphonie fantastique, Brahms' Symphony No. 1, and Shostakovich's Symphony No. 5. For each in what were their local melodious priorities? How did these melodious choices think the cultural case in which the composers lived and worked? What local agents and ideologies played a deal-out in legitimizing these symphonies? 

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