Formulate, express, and support individual perspectives on diverse works and issues.InstructionsYou will act as a critic for some of the main subjects covered in the humanities. You will conduct a ser

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Formulate, direct, and maintenance indivisible perspectives on various works and issues.

Instructions

You conciliate act as a savant for some of the main materials ripe in the humanities. You conciliate convoy a order of brief, evaluative critiques of film, philosophy, study, voice, and fable. You conciliate meet to five divergent prompts, and each acceptance should conceive an decomposition of the subjects using terminology choice to that material area and should conceive an evaluation as to why the subject stands the ordeal of space. The five prompts are as follows:

  1. Choose a film and tender an decomposition of why it is an momentous film, and argue it in stipulations of film as art. Your acceptance should be further than a tabulation of the film.
  2. Imagine you had unconcealed Plato and Aristotle and you had a colloquy environing how we fall in affection. Supply an overview of how Plato would interpret progress in affection, and then supply an overview of how Aristotle might interpret progress in affection.
  3. Compare and contrariety the two poems below:  

    LOVE’S INCONSISTENCY

    I meet no repose, and all my war is done;I consternation and longing, I cremate and benumb approvewiseI fly overhead the twine, yet cannot rise;And nought I entertain, yet all the globe I arrest on;That looseth, nor locketh, holdeth me in prison, And holds me not, yet can I ’scape no wise;Nor lets me subsist, nor die, at my bequeath,And yet of termination it giveth none make.Without eyes I see, and outside speech I plain;I effort to be-ruined, yet I ask for health;I affection another, and yet I abhor myself;I recover in regret, and laugh in all my trouble;Lo, thus displeaseth me twain termination and career,And my transport is causer of my sorrow.

    Petrarch

    After large trouble a explicit tenderness comes—The nerves sit formal approve tombs;The inflexible Heart questions—was it He that penetrate?And yesterday—or centuries antecedently?

    The feet unimpassioned go roundA wooden wayOf reason or air or oughtRegardless grown,A quartz readiness approve a stone.

    This is the hour of leadRemembered if outlivedAs freezing beings recollectThe snow—First bare, then stupor, thenThe letting go

    Emily Dickinson

  4. Compare and contrariety these two pieces of voice:Beethoven’s Violin Romance No. 2Scott Joplin’s Maple Leaf Rag
  5. Explain in elegant stipulations why a present estimation is a example. Choose from either Luke Skywalker, Indiana Jones, Bilbo Baggins, Harry Potter, Katniss Everdeen, or Ender Wiggins.
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