Listen to the three following music pieces below:  the first 45 seconds of Louis Armstrong’s “Willie the


Listen to the three aftercited still n ess pieces below:  the chief 45 seconds of Louis Armstrong's "Willie the

Weeper," (Chapter 33),  the chief 30 seconds of Tchaikovsky's "Dance of the Reed Pipes," (Chapter 3) and  the chief 15 seconds of Debussy's "Prelude to the Afternoon of a Faun" (Chapter 27). Parallel the rhythmic move of the three pieces of still n ess. Briefly examine how they emphasize rhythm, and parallel the property rhythm has on your sight of each copy. Parallel the textures of the three pieces of still n ess. Be positive to conceive a slight denomination of each of the still n essal textures: monophony, homophony, and polyphony. Describe why each of the aftercited still n essal excerpts can be labeled delay one of these textures. Your repartee should be at last one page in diffusiveness. All sources used, including the textbook, must be referenced; paraphrased and quoted esthetic must accept obligatory citations. 

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